![]() In examining Almodóvar’s use of women, it is important to note that he has stated that “men… are dramatically boring to. Each of these communities of women is different: the first is a group of women within la movida, the second is a hodgepodge of women convened by heartache, friendship, and coincidence, and the third is a family-and-neighbors unit typical of rural Spain. The three films discussed herein are each from a different era of Almodóvar’s body of work: his first commercially released film Pepi, Luci, Bom, y otras chicas del montón (Pepi, Luci, Bom, and Other Girls from the Heap) (1980), the internationally acclaimed box-office success Mujeres al borde de un ataque de nervios (Women on the Verge of a Nervous Breakdown) (1988), and the recent Volver (Return) (2006). This essay will examine the last of those: the strong women in his films, and more specifically, the way they interact as a group. He is known, among many idiosyncratic features, for his gender-bending plots and characters, his love of bright colors and kitsch, and his strong female leads. He writes all of his own movies– in fact, his personal assistant, Lola García, claims that writing is his favorite part of the process. ![]() Pedro Almodóvar is an internationally acclaimed director, acknowledged by some as the last European auteur. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |